Greek-born Spanish Mannerist Painter, 1541-1614
Considered a representative of late Renaissance Spanish art, El Greco was actually born in Greece, on the island of Crete. After studying in Venice under Titian, El Greco settled in Toledo, Spain in 1577. At the time he was wildly popular, his emotionally religious paintings being just the ticket for the hometown of the Spanish Inquisition. After his death his work was largely ignored until the beginning of the 20th century; now he considered one of the inspired geniuses of Western art. His distinctive style features bold shapes and colors, with elongated and slightly distorted figures.
In Toledo El Greco was in constant demand and liked living large: he maintained a private orchestra to accompany his meals. Related Paintings of El Greco :. | Assumption of the Virgin | St Luke | The Holy Family with St Mary Magdalen | The Martyrdom of St Maurice | The Entombment of Christ | Related Artists:
Charles PoersonFrench Painter, 1609-1667
He studied under his own father Charles Poerson (himself a former pupil of Simon Vouet) and under Noël Coypel. His notable works include "Dispute Between Neptune and Minerva" at Chateau de Fontainebleau, "Union of the Academie royale de Paris and the Academy of Saint Luke in Rome" at Versailles and participation in the decoration of the Hotel des Invalides. He was buried in San Luigi dei Francesi, Rome, in a tomb attributed to the sculptor Pierre de L'Estache, who later became another director of the Academy.
Vieira Portuense
(Porto, 13 May 1765 - Funchal, 2 May 1805), who choose the artistic name of Vieira Portuense, was a Portuguese painter, one of the introducers of Neoclassicism in Portuguese painting. He was, in the neoclassical style, one of the two great Portuguese painters of his generation, with Domingos Sequeira.
He first studied in Lisbon, later moving to Rome. He traveled through Italy, Germany, Austria and England, before returning to Portugal, in 1800. He met Swiss painter Angelika Kauffmann, from whom he seems to have received influences. He seems to anticipate some motives of the romantic painting in several of his historical paintings, like "Dona Filipa de Vilhena knighting her sons" (1801).
He contracted tuberculosis, and moved to Madeira, were he died, aged only 39.
He is represented at the National Museum of Ancient Art, in Lisbon, and at the National Museum Soares dos Reis, in Porto.
Not to be confused with another Portuguese painter, Francisco Vieira de Matos, better known as Vieira Lusitano.
BRUEGHEL, Pieter the YoungerFlemish painter (b. 1564, Bruxelles, d. 1638, Antwerp).
Pieter Brueghel the Younger was the oldest son of the famous sixteenth-century Netherlandish painter Pieter Brueghel the Elder (known as "Peasant Brueghel") and Mayken Coecke van Aelst. His father died in 1569, when Pieter the younger was only five years old. Then, following the death of his mother in 1578, Pieter, along with his brother Jan Brueghel the Elder ("Velvet Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578 and Pieter possibly entered the studio of the landscape painter Gillis van Coninxloo (1544-1607). In the 1584/1585 registers of Guild of Saint Luke, "Peeter Brugel" is listed as an independent master. On November 5, 1588 he married Elisabeth Goddelet, and the couple had seven children.
He painted landscapes, religious subjects and fantasy paintings. For this last category he often made use of fire and grotesque figures, leading to his nickname "Hell Brueghel".
Apart from these paintings of his own invention, Pieter Brueghel the Younger also copied the works his father had created by using a technique called pouncing. His genre paintings of peasants lack Pieter the Elder's subtlety and humanism, and emphasize the picturesque.